सरस्वतीकण्ठभारनम्: Vol.1-3 (Sarasvatikanthabharanam) (Record no. 50785)
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000 -LEADER | |
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fixed length control field | 01909 a2200217 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250708092217.0 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9788120832848 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | Sanskrit |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 495 SID |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Sidhartha, Sundari |
245 ## - TITLE STATEMENT | |
Title | सरस्वतीकण्ठभारनम्: Vol.1-3 (Sarasvatikanthabharanam) |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Name of publisher, distributor, etc | Motilal Banarsidass Publishers |
Date of publication, distribution, etc | 2009 |
Place of publication, distribution, etc | New Delhi |
300 ## - PHYSICAL DESCRIPTION | |
Extent | Vol-1-466 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | Vol-II 468-901 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | Vol-III 904-1298 |
520 ## - SUMMARY, ETC. | |
Summary, etc | Sarasvatikanthabharanam is a work on Poetics. (Bhoja has another work on Grammar under the same name). This encyclopedic compilation is a record of the wide range of human experience and knowledge that interested Bhoja. It discusses the usual topics of poetics in an unusual manner viz. Dosa, Guna, Dosaguna, Alankara, Rasa, Drsya and Sravya Kavya. There are many earlier editions of this work, some with even two commentaries. But this alone has an English translation. The text has been exhaustively and incisively edited, without obscuring Bhojas thought and intent.<br/><br/>Poetry cannot be fitted into rigid classes either of matter or of manner. Rightfully is Bhoja unfettered by the terms and definitions, armed with which writers try to study •Great Poetryª. Bhoja has a practical approach, and does not involve in the speculation on the soul of poetry. He holds rasa to be the crux of poetry. Srngara is the foremost which can gather into itself all the other rasas. Bhoja uses abhinaya and ahamkara as synonymous with rasa. It is hence, inferred that the identification with the action and with the chief character, on the part of the reader, brings about this delight. The self transcending state of aesthetic delight, spoken of by Abhinavagupta may be a more advanced stage of this joy. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Sanskrit |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Sanskrit Language and Linguistics |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Ramanathan, Hema |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Book |
Source of classification or shelving scheme | Dewey Decimal Classification |
No items available.