American Poetry: A Very Short Introduction (Record no. 51331)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02225 a2200169 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250916232745.0 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780190640194 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 811.009 CAP |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Caplan, David |
| 245 ## - TITLE STATEMENT | |
| Title | American Poetry: A Very Short Introduction |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | Oxford University Press |
| Place of publication, distribution, etc | New York |
| Date of publication, distribution, etc | 2022 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 133 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | A leading critic explains what makes American poetry--a vast genre covering diverse styles, techniques, and form--distinctive. In this short and engaging volume, David Caplan proposes a new theory of American poetry. With lively writing and illuminating examples, Caplan argues that two characteristics mark the vast, contentious literature. On the one hand, several of America's major poets and critics claim that America needs a poetry equal to the country's distinctiveness. They advocate for novelty and for a break with what is perceived to be outmoded and foreign. On the other hand, American poetry welcomes techniques, styles, and traditions that originate from far beyond its borders. The force of these two competing characteristics, American poetry's emphasis on its uniqueness and its transnationalism, drives both individual accomplishment and the broader field. These two characteristic features energize American poetry, quickening its development into a great national literature that continues to inspire poets in the contemporary moment. American Poetry: A Very Short Introduction moves through history and honors the poets' artistry by paying close attention to the verse forms, meters, and styles they employ. Examples range from Anne Bradstreet, writing a century before the United States was founded, to the poets of the Black Lives Matter movement. Individual chapters consider how other major figures such as T.S. Eliot, Phillis Wheatley, Walt Whitman, Emily Dickinson, W.H. Auden, and Langston Hughes emphasize convention or idiosyncrasy, and turn to American English as an important artistic resource. This concise examination of American poetry enriches our understanding of both the literature's distinctive achievement and the place of its most important writers within it. From Publisher Sit |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | American Poetry |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | America |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Book |
| Source of classification or shelving scheme | Dewey Decimal Classification |
No items available.